Girl, Woman, Other

Bernardine Evaristo

I have finally read last year’s Booker prize winner and it might be one the best books I’ve read in a long time. The book follows the lives of twelve different characters, most of whom are women of colour, across several decades, giving insight into the varied experiences they have and how they shape the differing perspectives they have on the world.

Each of the characters are complex and flawed and yet Evaristo always manages to position the reader from a point of empathy when reading their chapter. Since the different characters are connected through various relationships, the reader often gets snippets of information about characters you have yet to read about which allows you to form a prior opinion of them which makes reading their chapters especially interesting. There is always more to a character and their life than expected which is eye-opening to read.

My favourite chapter was probably the first one about Amma’s life. Amma is a black lesbian living in London in the 1980’s fighting for her rights and trying to get into the theatre. Her life in the 80’s juxtaposed with her life in the present day is fascinating as it demonstrates how the world has changed and how her views and life have changed along with it, including her becoming a parent and transitioning into the mainstream theatre industry.

Evaristo also expertly demonstrates how systemically racist and sexist structures within society can unite women, particularly women of colour, whilst highlighting how different they all are and how so many other factors in life can determine where they end up. For instance, Carole’s journey through elite academia and the world of banking which required her to conform to society’s expectations in so many ways puts her in a wholly different position to Amma’s life as a black lesbian who refuses to meet any expectations that don’t match up to her own desires and combats systemic racism, sexism and homophobia through this rejection.

However, despite these differences, Evaristo successfully conveys the shared experiences that ultimately bring these women together and often drives them to help each other out, whether this means mentoring young women of colour to try and give them an extra step up in life or providing a safe space for women when they need it.

Finally, I enjoyed the style of Evaristo’s writing far more than I expected to. Evaristo’s writing lacks standard capitalisation, punctuation or sentence structure which allows the stories to flow far more naturally and creating a feeling of the characters naturally reflecting back on their lives rather than a more contrived and deliberate narrative being told. This stream of conscience style combined with the natural inclusion of key physical details and references to wider debates, such as who has the most privileged or trans exclusionary feminism, results in a deeply insightful and thoroughly enjoyable novel.